I give equal importance to established journals and independent feminist publishers.

ORCID ID: 0000-0002-2170-3261

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IN PRESS/ FORTHCOMING

2025         WhiteFeather Hunter. “Blood Magic in Biotech—a case study.” In Routledge Companion to Performance and

                 Science (Paul Johnson, Simon Parry and Adele Senior, eds.), UK: Routledge — book in press

2025         WhiteFeather Hunter. “Laboratory ‘craft’ – Tissue Culture, Microbiology and the Production of Biotextiles:

                 Interviews with Anna Dimitriu (UK), Living Colour (NL), The Bactinctorium (CA), plus Amy Congdon (US) in        

                 conversation with WhiteFeather Hunter (CA).” In Textile Futures, Volume 10 (Janis Jefferies, Lucy Norris, Kinor

                 Jiang, eds.), Bloomsbury Encyclopedia of World Textiles, London, UK: Bloomsbury Publishing – book in press

2025         WhiteFeather Hunter (with contributions by Heidi Kenyon). Arcanum Sanguinis: Occult Blood — Science and

                 medicine underwritten by witchcraft and magic; from the collection of the Museum of Witchcraft and Magic.

                 Boscastle, UK: Harbour Witch Imprint – forthcoming

2025         WhiteFeather Hunter. “Bioart Coven — Co-creating community at the intersection of contemporary witchcraft

                 and biotechnologies.” In Everywhen: International Symposium on Electronic Art (ISEA) 2024 Proceedings,

                 Brisbane, AU — in press

2025         WhiteFeather Hunter, Jiabao Li and Lera Niemackl. “Synthetic Sentience; The Pussification of Biotech.” In

                 Everywhen: International Symposium on Electronic Art (ISEA) 2024 Proceedings, Brisbane, AU — in press

2024         WhiteFeather Hunter. “Blood Acumen.” In YnselBook #6; Schmiede23: Blood (Rüdiger Wassibauer and

                 Bernhard Förg, eds.), Hallein, AT: Akademie Hallein – forthcoming

2024         WhiteFeather Hunter and Jiabao Li. “Bloody BioFeminism.” In Taboo—Transgression—Transcendence in Art &

                 Science 2023 Conference Proceedings book. Ionian University, Corfu, GR - forthcoming

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PUBLISHED

2024         WhiteFeather Hunter. The Witch in the Lab Coat—Doubling, Doubling, Toiling and Troubling the Narratives and

                 Methodologies of Standard Scientific Research Practices. Leonardo Graduate Abstracts, US: Leonardo/    

                 Arizona State University.

2024         Jiabao Li and WhiteFeather C. Hunter. “Synthetic Sentience: From Cup to Dish.” In Halfway to the Future HTTF

                 '24, October 21-23, 2024, Santa Cruz, CA, USA. ACM Digital Library, New York, NY, USA, 15 Pages. https://

                 doi.org/10.1145/3686169.3686201

2024         WhiteFeather Hunter and Molly McKInney. “COVID-19 and the Embodiment of Disruption: Assemblages of

                 Agency and the Turducken of Chaos.” In Art and Biotechnology – Viral Culture from CRISPR to COVID (Louise

                 Mackenzie, Claire Nettleton, eds.), Biotechne: Interthinking Art, Science and Design series, London, UK:

                 Bloomsbury Visual Arts. pp. 161-175.

2024         WhiteFeather Hunter. “The Phenomenology of Menstruation: (Bio)artworks Within the Feminist Occult.” in Blod

                 (Camilla Skovbjerg Paldam, Pernille Leth-Espensen, Daniel Emami Riis, Laura Katrine Skinnebach, eds.),

                 Passepartout Journal of Art Theory and History, Issue #44, Aarhus, DK: Aarhus University Department of Art

                 History Institute of Aesthetics and Communication. pp. 63-86.

2024         WhiteFeather Hunter. “The discomfort of the pseudo-menstruating technoscientific body.” In Matter of Flux: Art,

                 Biopolitics, and Networks with Care (Regine Rapp, ed.), Berlin, DE: Art Laboratory Berlin. pp. 28-29.

2024         WhiteFeather Hunter. “Working Bibliography: Humans as Food for Microbes; Human Microbes as Food.” In

                 Quarterly Archive: Reprints, Reflections, Readings (Evelyn O’Malley and Jamie Morra, eds.), Centre for

                 Sustainable Practices in the Arts (CSPA) Quarterly

2023         WhiteFeather Hunter. “Performing Bureaucratic Theatre in Academic Science Fields, a case study: The

                 Pheromone Trees and Coyote.” In Re-Storying the World for Multispecies Survival, Synthesis: An Anglophone

                 Journal of Comparative Literary Studies 15. 2022, Athens, GR: National and Kapodistrian University of Athens.

                 pp. 71-96.

2023         WhiteFeather Hunter. “Mooncalf Menstrual Meat (MMM).” In Bodies in Flux special issue (Thor Kerr, ed.),

                 Continuum: Journal of Media & Cultural Studies, AU: Cultural Studies Association of Australasia. pp. 576-594.

2022         WhiteFeather Hunter. “Mooncalf Unclean Meat.” In Taboo –Transgression–Transcendence in Art & Science

                 Special Issue, Technoetic Arts: A Journal of Speculative Research, Bristol, UK: Intellect Books. pp. 205-222.

2022         Louise MacKenzie et al. “Body Shopping – challenging convention in the donation and use of bodily materials

                 through art practice.” In Taboo –Transgression–Transcendence in Art & Science Special Issue, Technoetic

                 Arts: A Journal of Speculative Research, Bristol, UK: Intellect Books. pp. 279-297.

2021         WhiteFeather Hunter. “The Witch in the Lab Coat—Deviant Pathways in Science.” In Limina: A Journal of

                 Historical and Cultural Studies, Vol. 26.2, Perth, AU: The University of Western Australia. pp. 14-29.

2021         WhiteFeather Hunter. “M is for Menstruation”; In musings 2021: an fff abecedary, Food, Fermentation and

                 Feminism. Montreal, CA: Concordia University. pp. 52-54.

2021         WhiteFeather Hunter. “W is for Witchcraft” In musings 2021: an fff abecedary, Food, Fermentation and

                 Feminism. Montreal, CA: Concordia University. pp. 92-95.

2019         Maya Hey, WhiteFeather Hunter and Emilie St. Hilaire. “Horizontal Exchange, Relations, and Resistance in

                 Bioart and Practice-based Research.” In Éthique des sciences et art, Journal International de Bioéthique

                 2019/4 (Vol. 30), Paris, FR : Editions ESKA. pp. 69-89.

2019         Sarah Choukah, WhiteFeather Hunter and Tristan Matheson. “Slimedia: Physarum as medium and cultural

                 mediator.” in Slime mould in arts and architecture (Adamatzky, A., ed.), River Publishers, Biomedical

                 Engineering series, DK/NL: Taylor and Francis Group

2019         WhiteFeather Hunter. “Culturing Creativity, and a little bit of shit-stirring.” In musings: stories with food,

                 feminism, fermentation (Alex Ketchum and Maya Hey, eds.), Food, Fermentation and Feminism project,

                 Montreal, CA: Concordia University

2019         WhiteFeather Hunter. “blóm + blóð.“ In Coastal Media (Alix Johnson, ed.), Becoming Environmental: Media,

                 Logistics, and Ecological Change, Issue 8.1, Synoptique: An Online Journal of Film and Moving Image

                 Studies, Mel Hoppenheim School of Cinema, Montreal, CA: Concordia University. pp. 88-90.

2019         WhiteFeather Hunter. “The Trouble with Jäkälä.” In AASA 2019 Decolonizing Animals Abstracts Book,

                 Australasian Animal Studies Association, Christchurch, NZ: New Zealand Centre for Human-Animal Studies.

                 p50.

2018         WhiteFeather Hunter. “blóm + blóð.“ In Food, Embodiment and Knowledge, InTensions e-journal, School of

                 Arts, Media, Performance and Design, Toronto, CA: York University.        

2018         WhiteFeather Hunter. “Biomateria; Biotextile Craft.” In Proceedings of the Ammerman Center for Arts &

                 Technology 16th Biennial Symposium: INTERSECTIONS, Symposia. Connecticut College Digital Commons.

                 New London, US: Connecticut College. p37.

2017         WhiteFeather Hunter. “Pissed: blóm + blóð.” In Fermenting Feminism (Lauren Fournier, curator/ editor), Berlin,

                 DE: Laboratory for Aesthetics and Ecology and e-ARTEXTE. pp. 30-34.

2016         WhiteFeather Hunter. Biomateria; Biotextile Craft. Master’s thesis, US: Leonardo Graduate Abstracts,

                 Leonardo. 26 pages.​