whitefeatherhunter.ca
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SELECTED BIBLIOGRAPHY
Bibliography
Quick links to selected peer-reviewed publications
I give equal importance to established journals and independent feminist publishers.
ORCID ID: 0000-0002-2170-3261
IN PRESS/ FORTHCOMING
2025 WhiteFeather Hunter. “Blood Magic in Biotech—a case study.” In Routledge Companion to Performance and
Science (Paul Johnson, Simon Parry and Adele Senior, eds.), UK: Routledge — book in press
2025 WhiteFeather Hunter. “Laboratory ‘craft’ – Tissue Culture, Microbiology and the Production of Biotextiles:
Interviews with Anna Dimitriu (UK), Living Colour (NL), The Bactinctorium (CA), plus Amy Congdon (US) in
conversation with WhiteFeather Hunter (CA).” In Textile Futures, Volume 10 (Janis Jefferies, Lucy Norris, Kinor
Jiang, eds.), Bloomsbury Encyclopedia of World Textiles, London, UK: Bloomsbury Publishing – book in press
2025 WhiteFeather Hunter (with contributions by Heidi Kenyon). Arcanum Sanguinis: Occult Blood — Science and
medicine underwritten by witchcraft and magic; from the collection of the Museum of Witchcraft and Magic.
Boscastle, UK: Harbour Witch Imprint – forthcoming
2025 WhiteFeather Hunter. “Bioart Coven — Co-creating community at the intersection of contemporary witchcraft
and biotechnologies.” In Everywhen: International Symposium on Electronic Art (ISEA) 2024 Proceedings,
Brisbane, AU — in press
2025 WhiteFeather Hunter, Jiabao Li and Lera Niemackl. “Synthetic Sentience; The Pussification of Biotech.” In
Everywhen: International Symposium on Electronic Art (ISEA) 2024 Proceedings, Brisbane, AU — in press
2024 WhiteFeather Hunter. “Blood Acumen.” In YnselBook #6; Schmiede23: Blood (Rüdiger Wassibauer and
Bernhard Förg, eds.), Hallein, AT: Akademie Hallein – forthcoming
2024 WhiteFeather Hunter and Jiabao Li. “Bloody BioFeminism.” In Taboo—Transgression—Transcendence in Art &
Science 2023 Conference Proceedings book. Ionian University, Corfu, GR - forthcoming
PUBLISHED
2024 WhiteFeather Hunter. The Witch in the Lab Coat—Doubling, Doubling, Toiling and Troubling the Narratives and
Methodologies of Standard Scientific Research Practices. Leonardo Graduate Abstracts, US: Leonardo/
Arizona State University.
2024 Jiabao Li and WhiteFeather C. Hunter. “Synthetic Sentience: From Cup to Dish.” In Halfway to the Future HTTF
'24, October 21-23, 2024, Santa Cruz, CA, USA. ACM Digital Library, New York, NY, USA, 15 Pages. https://
doi.org/10.1145/3686169.3686201
2024 WhiteFeather Hunter and Molly McKInney. “COVID-19 and the Embodiment of Disruption: Assemblages of
Agency and the Turducken of Chaos.” In Art and Biotechnology – Viral Culture from CRISPR to COVID (Louise
Mackenzie, Claire Nettleton, eds.), Biotechne: Interthinking Art, Science and Design series, London, UK:
Bloomsbury Visual Arts. pp. 161-175.
2024 WhiteFeather Hunter. “The Phenomenology of Menstruation: (Bio)artworks Within the Feminist Occult.” in Blod
(Camilla Skovbjerg Paldam, Pernille Leth-Espensen, Daniel Emami Riis, Laura Katrine Skinnebach, eds.),
Passepartout Journal of Art Theory and History, Issue #44, Aarhus, DK: Aarhus University Department of Art
History Institute of Aesthetics and Communication. pp. 63-86.
2024 WhiteFeather Hunter. “The discomfort of the pseudo-menstruating technoscientific body.” In Matter of Flux: Art,
Biopolitics, and Networks with Care (Regine Rapp, ed.), Berlin, DE: Art Laboratory Berlin. pp. 28-29.
2024 WhiteFeather Hunter. “Working Bibliography: Humans as Food for Microbes; Human Microbes as Food.” In
Quarterly Archive: Reprints, Reflections, Readings (Evelyn O’Malley and Jamie Morra, eds.), Centre for
Sustainable Practices in the Arts (CSPA) Quarterly
2023 WhiteFeather Hunter. “Performing Bureaucratic Theatre in Academic Science Fields, a case study: The
Pheromone Trees and Coyote.” In Re-Storying the World for Multispecies Survival, Synthesis: An Anglophone
Journal of Comparative Literary Studies 15. 2022, Athens, GR: National and Kapodistrian University of Athens.
pp. 71-96.
2023 WhiteFeather Hunter. “Mooncalf Menstrual Meat (MMM).” In Bodies in Flux special issue (Thor Kerr, ed.),
Continuum: Journal of Media & Cultural Studies, AU: Cultural Studies Association of Australasia. pp. 576-594.
2022 WhiteFeather Hunter. “Mooncalf Unclean Meat.” In Taboo –Transgression–Transcendence in Art & Science
Special Issue, Technoetic Arts: A Journal of Speculative Research, Bristol, UK: Intellect Books. pp. 205-222.
2022 Louise MacKenzie et al. “Body Shopping – challenging convention in the donation and use of bodily materials
through art practice.” In Taboo –Transgression–Transcendence in Art & Science Special Issue, Technoetic
Arts: A Journal of Speculative Research, Bristol, UK: Intellect Books. pp. 279-297.
2021 WhiteFeather Hunter. “The Witch in the Lab Coat—Deviant Pathways in Science.” In Limina: A Journal of
Historical and Cultural Studies, Vol. 26.2, Perth, AU: The University of Western Australia. pp. 14-29.
2021 WhiteFeather Hunter. “M is for Menstruation”; In musings 2021: an fff abecedary, Food, Fermentation and
Feminism. Montreal, CA: Concordia University. pp. 52-54.
2021 WhiteFeather Hunter. “W is for Witchcraft” In musings 2021: an fff abecedary, Food, Fermentation and
Feminism. Montreal, CA: Concordia University. pp. 92-95.
2019 Maya Hey, WhiteFeather Hunter and Emilie St. Hilaire. “Horizontal Exchange, Relations, and Resistance in
Bioart and Practice-based Research.” In Éthique des sciences et art, Journal International de Bioéthique
2019/4 (Vol. 30), Paris, FR : Editions ESKA. pp. 69-89.
2019 Sarah Choukah, WhiteFeather Hunter and Tristan Matheson. “Slimedia: Physarum as medium and cultural
mediator.” in Slime mould in arts and architecture (Adamatzky, A., ed.), River Publishers, Biomedical
Engineering series, DK/NL: Taylor and Francis Group
2019 WhiteFeather Hunter. “Culturing Creativity, and a little bit of shit-stirring.” In musings: stories with food,
feminism, fermentation (Alex Ketchum and Maya Hey, eds.), Food, Fermentation and Feminism project,
Montreal, CA: Concordia University
2019 WhiteFeather Hunter. “blóm + blóð.“ In Coastal Media (Alix Johnson, ed.), Becoming Environmental: Media,
Logistics, and Ecological Change, Issue 8.1, Synoptique: An Online Journal of Film and Moving Image
Studies, Mel Hoppenheim School of Cinema, Montreal, CA: Concordia University. pp. 88-90.
2019 WhiteFeather Hunter. “The Trouble with Jäkälä.” In AASA 2019 Decolonizing Animals Abstracts Book,
Australasian Animal Studies Association, Christchurch, NZ: New Zealand Centre for Human-Animal Studies.
p50.
2018 WhiteFeather Hunter. “blóm + blóð.“ In Food, Embodiment and Knowledge, InTensions e-journal, School of
Arts, Media, Performance and Design, Toronto, CA: York University.
2018 WhiteFeather Hunter. “Biomateria; Biotextile Craft.” In Proceedings of the Ammerman Center for Arts &
Technology 16th Biennial Symposium: INTERSECTIONS, Symposia. Connecticut College Digital Commons.
New London, US: Connecticut College. p37.
2017 WhiteFeather Hunter. “Pissed: blóm + blóð.” In Fermenting Feminism (Lauren Fournier, curator/ editor), Berlin,
DE: Laboratory for Aesthetics and Ecology and e-ARTEXTE. pp. 30-34.
2016 WhiteFeather Hunter. Biomateria; Biotextile Craft. Master’s thesis, US: Leonardo Graduate Abstracts,
Leonardo. 26 pages.