Resonance: Dialogues in Art and Ecology brings together 16 leading Australian artists to amplify the voices of more-than-human worlds. Presented by Southern Forest Arts the exhibition features artists Tarsh Bates, Renata Buziak, Kim V Goldsmith, Lee Harrop, Susan Hauri-Downing, Catherine Higham, WhiteFeather Hunter with Kate Goff, Forrest Keegal, Heidi Kenyon x Friendly Conspiracy, Linda Knight, […]

WhiteFeather has been selected as a participant in the NEW SUNS worldbuilding lab for radical futures, hosted by Artengine, Ottawa. “NEW SUNS is a collective worldbuilding lab that brings together an interdisciplinary group of creatives to explore radical futures through art and speculative fiction. As “realists of a larger reality” (Ursula K. LeGuin), the lab […]

WHITEFEATHER has a new co-authored paper with Assistant Professor, Jiabao Li, entitled Sythetic Sentience: From Cup to Dish, published on the ACM Digital Library. Read the full open access paper here: https://dl.acm.org/doi/10.1145/3686169.3686201 Abstract: We investigate the potential of lab-grown clitorises created by 3D bioprinting stem cells derived from menstrual fluid. Our approach challenges male-dominated narratives […]

WhiteFeather Hunter and Jiabao Li will present their paper (and project) entitled, Sentient Clit: From Cup to Dish at the upcoming Halfway to the Future symposium in Santa Cruz, California from 21-23 October. Halfway to the Future (HTTF) is a symposium that explores the past, present, and future of themes driving key research in HCI […]

WhiteFeather’s work with collaborator, Elizabeth Littlejohn will be part of the exhibition, CASTING A SPELL IN COMPUTATIONAL REGIMES: Ritual Practices for a Trans-Feminist Counter-Apocalypse curated by Arianna Forte. The exhibition will open at SomoS Arts, Kottbusser Damm 9510967 Berlin on October 12, from 6-9pm and will run from October 15-19, 2024, from 2-7pm each day. […]

WhiteFeather will join her community of esteemed peers this coming June 23-28, to present her current collaborative research with Jiabao Li, Pussification in Biotech. For more on the conference, see the FEMeeting website here: https://femeeting.com/

WhiteFeather’s project with collaborator Jiabao Li, titled Sentient Clit: The Pussification of Biotech has been awarded a jury nomination for the prestigious Ars Electronica S+T+ARTS Prize of the European Commission, honoring Innovation in Technology, Industry and Society stimulated by the Arts. About the project: We investigate the potential of producing lab-grown clitorises by isolating stem […]

WhiteFeather has been selected to present two different papers/projects at the upcoming International Symposium on Electronic Art (ISEA), EveryWhen, taking place this year in Brisbane, Australia. WhiteFeather will present her solo research, entitled Bioart Coven—Co-creating community at the intersection of contemporary witchcraft and biotechnologies as well as her collaborative research with Jiabao Li and Lera […]

WhiteFeather has been selected as a scholarship recipient to attend the upcoming TTTlabs: BioFeral.BeachCamp (BFBC): New Repro-Zombie Studies (NR-ZS) – Undead Bioart / Bodyart on the Beach from April 5-14, 2024. The residency will take place at Athens School of Fine Arts Residence annex of ASFA in Rethymno, Crete. For more on the residency program, […]

WhiteFeather’s work, as part of a collaborative project with Jiabao Li and Lera Niemackl named Pussification of Biotech, is being shown in Jiabao Li’s exhibition, Progenitorial Hysteresis, at the Duende Art Museum (DAM) in China. Pussification of Biotech includes WhiteFeather’s research with her own menstrual cell differentiation at UWA, as well as her separate two-year […]

WhiteFeather has been invited to present her current collaborative research with Jiaboa Li and Lera Niemackl at the upcoming Taboo – Transgression – Transcendence in Art and Science conference in Malta. “The fifth international conference “Taboo – Transgression – Transcendence in Art & Science” will take place September 27-29, 2023 in Valletta, Malta. Including theoretical […]

MATTER OF FLUX Artistic Research WhiteFeather Hunter | Lyndsey Walsh | Shu Lea Cheang with Ewen Chardronnet Dates and opening hours Opening: 26 May 2023, 8 pmRunning Time: 27 May – 9 July 2023Thu – Sun, 2 – 6 pm The group exhibition MATTER OF FLUX brings together three art projects by WhiteFeather Hunter, Lyndsey […]

This recent publication in Techoetic Arts journal, entitled, Body shopping: Challenging convention in the donation and use of bodily materials through art practice, features an interview with WhiteFeather about her work, as part of a Taboo Transgression Transcendence conference (Vienna, AT, 2020) panel moderated by Louise MacKenzie: “The historical context of body and tissue donation […]

WhiteFeather’s collaborative work in developing a longevity treatment for cellulosic biomaterials with art conservator, Courtney Books, was recently published in an essay by Books as part of the conference proceedings book, Living Matter: The Preservation of Biological Materials in Contemporary Art (Kendra Roth, Rachel Rivenc, eds.). The essay also features WhiteFeather’s collaborative work with biodesigner, […]

On January 12, 2022 @ 5:30 UK time, WhiteFeather will present collaborative work with artist, Renee Carmichael (Buenos Aires, AR) as part of the Art Resilience Economy (ARE) Matchmaking Project. For the ARE match-making collaboration, Renee Carmichael and WhiteFeather Hunter have explored the overlaps in their practices by bringing together DIY lab practices, video performance, […]

The Bioart Coven Manifesto has been published by Snake Hair Press (US) as part of Occult Studies Vol. 2: REVOLUTION. The Bioart Coven Manifesto is a co-authored, ‘living’ (always changing/ in progress) document by 50+ participants in the Bioart Coven course, offered virtually by WhiteFeather Hunter through the School of Machines, Making and Make-Believe (Berlin, […]

WhiteFeather was invited to contribute a text work for transformation into an audio piece, for the Soley Cove Legacy Project situated at Red Clay, Nova Scotia. An archival website for the project will be created to house the audio piece online. For more info on the project, follow the FB page here.

WhiteFeather had the opportunity to participate in the community engagement project, entitled, What is Art For? by Dr. Kathleen Vaughan. Read about the project and watch a video interview with Vaughan on the Concordia University website, here. Visit the project website to view all the works here. View WhiteFeather’s contribution to the project here. This […]

WhiteFeather will be teaming up with The Bactinctorium to present her collaborative research on using bacteria as textile dye, at the upcoming Natural Dyes in Northeast America Symposium, held online and hosted by Ryerson University. The presentation will be part of the Pasts and Futures Symposium 3 presentations and will be followed by a live […]

Horizontal Exchange, Relations, and Resistance in Bioart and Practice- based Research, co-authored by WhiteFeather Hunter, Maya Hey and Emilie St-Hilaire is published in the Journal International de Bioéthique (International Journal of Bioethics), special issue on Art(bio)éthique, edited by Mathieu Noury & Vincent Couture. Published by ESKA Editions, France. Abstract: Bioart sits at the intersection of […]