WhiteFeather has been awarded a two-year Social Sciences and Humanities Research Council of Canada Postdoctoral Research Fellowship at Simon Fraser University. WhiteFeather will work with Dr. Gabriela Aceves Sepúlveda through the criticalmediaartstudio at the School of Interactive Arts + Technology beginning May 1, 2025. Read more about the criticalmediaartstudio here: https://criticalmediartstudio.com/ Visit WhiteFeather’s research profile […]

The Leonardo Graduate Abstracts Database peer review committee has selected The Witch in the Lab Coat doctoral thesis abstract by WhiteFeather Hunter to be added to their international database, with a link to the full thesis. The “LGA Peer Review committee for the 2024 – 2025 review year has decided that [the] abstract is of […]

WhiteFeather’s project with collaborator Jiabao Li, titled Sentient Clit: The Pussification of Biotech has been awarded a jury nomination for the prestigious Ars Electronica S+T+ARTS Prize of the European Commission, honoring Innovation in Technology, Industry and Society stimulated by the Arts. About the project: We investigate the potential of producing lab-grown clitorises by isolating stem […]

WhiteFeather has been selected as a scholarship recipient to attend the upcoming TTTlabs: BioFeral.BeachCamp (BFBC): New Repro-Zombie Studies (NR-ZS) – Undead Bioart / Bodyart on the Beach from April 5-14, 2024. The residency will take place at Athens School of Fine Arts Residence annex of ASFA in Rethymno, Crete. For more on the residency program, […]

WhiteFeather has been invited to present her research, funded in part by the Graduate Women (WA), that she conducted during her 2022 residency at the Museum of Witchcraft and Magic in Cornwall, UK. In 2022, WhiteFeather received the Joyce Riley Bursary in Arts, Humanities or Social Sciences, a $3000 travel award to support her research […]

Tim Deussen photo.

WhiteFeather’s PhD research is being featured by Sigma-Aldrich (Sigma Millipore) as part of their Next Great Impossible series, specifically for International Day of Women and Girls in Science. View the full profile here.

Tagny Duff’s Wastelands project, which WhiteFeather was collaborator on, was recognized through an honorary mention in the Artificial Intelligence and Life Art category, and a nomination for Ars Electronica’s 2019 STARTS prize. WhiteFeather co-designed and solely produced two bioplastic sculptures for the project, which contributed to its overall aesthetic, functionality and innovative aspects. WhiteFeather’s sculptures were […]

WhiteFeather has been named as a 2018 “Québeçois.es extraordinaires” by URBANIA Magazine (Montreal). WhiteFeather was one of five nominees in the Science category, nominated by Science journalist, Marianne Desaultels-Marissal, who wrote about WhiteFeather’s work for the issue, Spécial Extraordinaire 2018. Read the full article, here. Voici les 50 Québécois.es qui créent l’extraordinaire en 2018 […]

WhiteFeather (far left), received the prize for Star Researcher March 2016 from the Fonds de recherche du Québec – Société et Culture (FRQSC) for her research-creation project, Crafting Biotextiles. Trophies were bestowed on all three star researchers by Rémi Quirion, Chief Scientist of Québec (far right). Photo credit: Palais des congrès de Montréal. WhiteFeather (centre) […]

“Crossing Over,” a celebration of four young Fredericton artists, opens at the Yellow Box Gallery in McCain Hall at St. Thomas University on March 15, 2013. All four artists are recipients of a Charlotte Glencross Scholarship for Professional Development in the Arts. WhiteFeather Hunter, artist, arts educator and writer, was the first to receive the […]