WHITEFEATHER has a new co-authored paper with Assistant Professor, Jiabao Li, entitled Sythetic Sentience: From Cup to Dish, published on the ACM Digital Library. Read the full open access paper here: https://dl.acm.org/doi/10.1145/3686169.3686201 Abstract: We investigate the potential of lab-grown clitorises created by 3D bioprinting stem cells derived from menstrual fluid. Our approach challenges male-dominated narratives […]

WhiteFeather Hunter and Jiabao Li will present their paper (and project) entitled, Sentient Clit: From Cup to Dish at the upcoming Halfway to the Future symposium in Santa Cruz, California from 21-23 October. Halfway to the Future (HTTF) is a symposium that explores the past, present, and future of themes driving key research in HCI […]

02 Oct 2024, 19:00 – 20:30 BST Together with the Museum of Witchcraft and Magic, we invite you to an online discussion with occult artist WhiteFeather Hunter, as she talks about working with magic sigils, menstrual blood and stem cells – making art at the intersection between feminist witchcraft and tissue engineering. Hunter’s exhibition […]

The Leonardo Graduate Abstracts Database peer review committee has selected The Witch in the Lab Coat doctoral thesis abstract by WhiteFeather Hunter to be added to their international database, with a link to the full thesis. The “LGA Peer Review committee for the 2024 – 2025 review year has decided that [the] abstract is of […]

WhiteFeather has co-authored a chapter for the book, Art and Biotechnology – Viral Culture from CRISPR to COVID edited by Clare Nettleton and Louise Mackenzie (Bloomsbury). WhiteFeather’s chapter, “COVID-19 and the Embodiment of Disruption: Assemblages of Agency and the Turducken of Chaos” is co-authored with Molly McKinney, RN. The book is available on the Bloomsbury […]

WhiteFeather’s scholarly article, Phenomenology of Menstruation: (Bio)artworks Within a Feminist Occult is included in the forthcoming issue of Passepartout, Journal of Art Theory and History at Aarhus University. This issue, entitled Blod, will launch May 31, 2024 in Aarhus and will be published online shortly thereafter. More information to come, visit the Passepartout website here: […]

Quarterly Archive: Reprints, Reflections, Readings has just been published by Centre for Sustainable Practices in the Arts (CSPA) Quarterly magazine. The Archive Issue not only references Issue 21 that WhiteFeather guest edited in 2018, entitled Material Futures, but also includes a new archival entry contributed by WhiteFeather, entitled Working Bibliography: Humans as Food for Microbes; […]

The Earthkeepers Handbook includes 200 pages with 100 recipes and remedies by 100 ecoartspace artists created to Heal the Man, Heal the Land. Reviewers Kim Abeles and WhiteFeather Hunter Introduction by Patricia Watts, founder of ecoartspace Dedicated to Mierle Laderman Ukeles Cover image by Susan Hoenig Book design by Jane Crayton The Earthkeepers Handbook includes […]

WhiteFeather is one of four Canadian women featured in a new non-fiction book for the 3rd grade, entitled, Awesome Jobs in STEAM – Canadians at Work, written by Jennifer Ladipo and published by Pearson Canada. The book is presented as part of Pearson Canada’s “Celebrate Canada” series. More information to come. Visit THESTEMGIRL website here […]

WhiteFeather’s most recent authored publication as part of her PhD research, entitled, Mooncalf ‘Unclean Meat’, has been published in the latest edition of Technoetic Arts Journal, in the Taboo Transgression Transcendence special edition. Abstract: The calamitous warnings of climate science have been latched onto by a growing roster of biotech start-up companies who propose to […]

This recent publication in Techoetic Arts journal, entitled, Body shopping: Challenging convention in the donation and use of bodily materials through art practice, features an interview with WhiteFeather about her work, as part of a Taboo Transgression Transcendence conference (Vienna, AT, 2020) panel moderated by Louise MacKenzie: “The historical context of body and tissue donation […]

WhiteFeather’s collaborative work in developing a longevity treatment for cellulosic biomaterials with art conservator, Courtney Books, was recently published in an essay by Books as part of the conference proceedings book, Living Matter: The Preservation of Biological Materials in Contemporary Art (Kendra Roth, Rachel Rivenc, eds.). The essay also features WhiteFeather’s collaborative work with biodesigner, […]

The 2021 edition of musings: food, feminism, fermentation has just been released. WhiteFeather has two texts and images of work included in the volume: M is for Menstruation, and W is for Witchcraft. “Our latest publication, musings, is available for [PDF] download through the following link: www.bitly.com/fff-musings-2021-spreadsIt is an abecedary, or ABC book, with entries spanning […]

The Bioart Coven Manifesto has been published by Snake Hair Press (US) as part of Occult Studies Vol. 2: REVOLUTION. The Bioart Coven Manifesto is a co-authored, ‘living’ (always changing/ in progress) document by 50+ participants in the Bioart Coven course, offered virtually by WhiteFeather Hunter through the School of Machines, Making and Make-Believe (Berlin, […]

“Culture² is a peer + practitioner reviewed platform which highlights the practices of researchers within community science, creative biology, and ancestral knowledge.” “This August 28th + 29th, 2021 we invite you to join us for our first conference where farmers, community activists, climate educators, artists, and practitioners will be sharing their wisdom in relation to […]

WhiteFeather’s work is included in a new open-access publication, De cobre, microbios y arte (2021) by Andrés Marcoleta, André Barbet, Giorgio Boccardo (authors) and published by Universidad de Chile. There is a small print run of 500 copies, and the PDF version is available to read or download for free here.

WhiteFeather is delighted to have been referenced a number of times for her work with feminist witchcraft in the new book by Risa Dickens and Amy Torok, entitled, Missing Witches: Recovering True Histories of Feminist Magic. Purchase the book here.

WhiteFeather’s art practice (portfolio) is featured in the Winter 2021 edition of Esse Art + Opinions, with a critical text by Anne-Marie Dubois. View the issue here. Esse is published in French and English.

WhiteFeather’s recent work, Mooncalf, is included in the latest edition of SciArt Magazine, published and distributed by SciArt Initiative NY. The work is featured as part of the postponed Culture of Contamination exhibition, curated by Tarah Rhoda. SciArt Magazine focuses on science & tech-based art, cross-disciplinary collaboration, & STEAM education. Access the latest issue of […]

Horizontal Exchange, Relations, and Resistance in Bioart and Practice- based Research, co-authored by WhiteFeather Hunter, Maya Hey and Emilie St-Hilaire is published in the Journal International de Bioéthique (International Journal of Bioethics), special issue on Art(bio)éthique, edited by Mathieu Noury & Vincent Couture. Published by ESKA Editions, France. Abstract: Bioart sits at the intersection of […]